remodeling 101: everything you need to know about limewash paint 7


Our go-to Master of the Dark Arts when it comes to Halloween? That would be Claudia Schwartz—proprietor of San Francisco’s dearly departed Bell’occhio—a sought-after SF stylist and shop owner who counts Martha Stewart among her fans. Claudia is a lover of the offbeat, and her last-century style (the way she spells Hallowe’en, for instance) has us inspired. Read on for her advice on creating a spooky yet soulful Halloween party; mastermix included.

Photography by Tom Kubik for Remodelista.

claudia in a dress and a shrug from pip squeak chapeau, in brooklyn. her usual& 17
Above: Claudia in a dress and a shrug from Pip-Squeak Chapeau, in Brooklyn. Her usual daily uniform is a vintage hemp work dress, but here she is dressed as a Halloween hostess. Her pearl earrings are by her husband, Tom, who designs and makes the jewelry the couple sells at Bell’occhio.

Remodelista: Do you have any cardinal rules for a good theme party?

Claudia Schwartz: Create an atmosphere in which all the carefully edited elements support one another, from food and decor to music and scent. But exercise restraint; using every good idea that comes along can result in a mess.

RM: What are some Halloween decor ideas our readers can re-create at home?

CS: Start with a black table covering—whether it’s blackboard oilcloth or black linen—it makes a nice backdrop. For arrangements, I like oak leaves and acorns; if they are not available, seasonal leaves and herbs from a farmer’s market are nice. You could also do an all-orange theme, contrasted with dark chocolate cosmos, shiny black berries, small black calla lilies, and other very dark flora. The tableware can become the decor, too: serve soup in hollowed-out pumpkins, for example, as they do in Provence.

claudia uses blackboard oilcloth for the tablecloth. she thinks it looks too in 18
Above: Claudia uses Blackboard Oilcloth for the tablecloth. She thinks it looks too informal when just draped over the table, so she had the tablecloth corners mitered and the edges scalloped. (I was impressed at how durable this material is: The oilcloth (shown) has served atop Bell’occhio’s shipping table for at least four years; it doesn’t show scratches and it wipes clean.)
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